本来是要翻译的，但是大家好像都要原文，我又没有自信翻译的准确优美，就把原文敲上来了。不知有没有厉害的人做出比较好的译文，或者大家一起讨论，当成个工程做也挺有意思的。国内好像完全找不到卡的东西。也许可以从这里开始吧。
the Three Coffins
John Dickson Carr
1st COFFIN
THE PROBLEM OF THE SAVANT'S STUDY
1. The Threat
To the murder of Professor Grimaud, and later the equally incredible crime in Cagliostro Street, many fantastic terms could be applied -- with reason. Those of Dr. Fell's friends who like impossible situations will not find in his case book any puzzle more baffling or more terrifying. Thus: two murders were committed, in such fashion that the murderer must not only have been invisible, but lighter than air. According to the evidence, this person killed his first victim and literally disappeared. Again according to the evidence, he killed his second victim in the middle of an empty street, with watchers at either side; yet not a soul saw him, and no footprint appeared in the snow.
Naturally, Superintendent Hadlley never for a moment believed in goblins or wizardry. And he was quite right -- unless you believe in a magic that will be explained naturally in this narrative at the proper time. But several people began to wonder whether the figure which stalked through this case might not be a hollow shell. They began to wonder whether, if you took away the cap and black coat and the child's false-face, you might not reveal nothing inside, like a man in a certain famous romance by Mr. H. G. Wells. The figure was grisly enough, anyhow.
The worlds "according to the evidence" have been used. We must be very careful about the evidence when it is not given at first-hand. And in this case the reader must be told at the outset, to avoid useless confusion, on whose evidence he can absolutely rely. That is to say, it must be assumed that somebody is telling the truth -- else there is no legitimate mystery, and, in fact, no story at all.
Therefore it must be stated that Mr. Stuart Mills at Professor Grimaud's house was not lying, was omitting or adding anything, but telling the whole business exactly as he saw it in every case. Also it must be stated that the three independent witness of Cagliostro Street (Messrs. Short and Blackwin, and Police-constable Withers) were telling the exact truth.
Under these circumstances, one of the events which led up to the crime must be outlined more fully than is possible in retrospect. It was the keynote, the whiplash, the challenge. And it is retold from Dr. Fell's notes, in essential details exactly as Stuart Mills later told it to Dr. Fell and Superintendent Hadley. It occurred on the night in back parlour of the Warwick Tavern in Museum Street.
Dr. Charles Vernet Grimaud had lived in England for nearly thirty years and spoke English without accent. Except for a few curt mannerisms when he was excited, and his habit of wearing an old-fashioned square-topped bowler hat and black string tie, he was even more British than his friends. Nobody knew much about his earlier years. He was of independent means, but he had chosen to be "occupied" and made a good thing of it financially. Professor Grimaud had been a teacher, a popular lecturer and writer. But he had done little of late, and occupied some vague unsalaried post at the British Museum with gave him access to what he called the low-magic manuscripts. Low magic was the hobby of which he had made capital: any form of picturesque supernatural devilry from vampirism to the Black Mass, over which he nodded and chuckled with childlike amusement -- and got a bullet through the lung of his pains.
A sound common-sense fellow, Grimaud, with a quizzical twinkle in his eye. He spoke in rapid, gruff bursts, from deep down in his throat; and he had a trick of chuckling behind closed teeth. He was of middle size, but he had a powerful chest and enormous physical stamina. Everybody in the neighbourhood of the Museum knew his black beard, trimmed so closely that it looked only like greying stubble, his shells of eye-glasses, his upright walk as he moved along in quick short steps, raising his hat curtly or making a semaphore gesture with his umbrella.
He lived, in fact, just round the corner at a solid old house on the west side of Russell Square. The other occupants of the house were his daughter Rosette, his housekeeper, Mme Dumont, his secretary, Stuart Mills, and a broken-down ex-teacher named Drayman, whom he kept as a sort of hanger-on to look after his books.
But his few real cronies were to be found at a sort of club they had instituted at the Warwick Tavern in Museum Street. They met four or five night in a week, an unofficial conclave, in the snug back room reserved for that purpose. Although it was not officially a private room, few outsiders from the bar ever blundered in there, or were made welcome if they did. The most regular attendants of the club were fussy baldheaded little Pettis, the authority on ghost stories; Mangan, the newspaperman; and Burnaby, the artist; but Professor Grimaud was its undisputed Dr. Johnson.
He ruled. Nearly every night in the year (except Saturday and Sundays, which he reserved for work),he would set out for the Warwick accompanied by Stuart Mills. He would sit in his favourite cane armchair before a blazing fire, with a glass of hot rum and water, and hold forth autocratically in the fashion he enjoyed. The discussions, Mill says, were often brilliant, although nobody except Pettis or Burnaby ever gave professor Grimaud serious battle. Despite his affability, he had a violent temper. As a rule they were content to listen to his storehouse of knowledge about witchcraft, wherein trickery hoaxed the credulous; his child-like love of mystification and drama, wherein he would tell a story if puzzles in the fashion of a detective story. They were amusing evenings, with something of the rural-inn flavor about them, though they were tucked away behind the gas-lamps of Bloomsbury. They were amusing evenings -- until the night of February 6th, when the premonition of terror entered as suddenly as the wind blowing open a door.
The wind was blowing shrewdly that night, Mills says, with a threat of snow in the air. Besides himself and Grimaud, there were present at the fireside only Pettis and Mangan and Burnaby. Professor Grimaud had been speaking, with pointed gestures of his cigar, about the legend of vampirism.
"Frankly, what puzzles me," said Pettis, "is your attitude towards the whole business. Now, I study only fiction; only ghost that never happen. Yet in a way I believe in ghosts. But you're an authority on attested happenings -- things that we're forced to call facts unless we can refute 'em. Yet you don't believe a word of what you've made the most important thing in you life. It's as though Bradshaw wrote a treatise to prove that steam-locomotion was impossible, or the editor of Encyclopaedia Britannica inserted a preface saying that there wasn't a reliable article in the whole edition."
"Well, and why not?" said Grimaud, with that quick, gruff bark of his wherein he hardly seemed to open his mouth. "You see the moral, don't you?"
"'Much study hath made him mad,' perhaps?" suggested Barnaby.
Grimaud continued to share at the fire. Mills says that he seemed more angry than the casual gibe would have warranted. He sat with the cigar exactly in the middle of his mouth, drawing at it in the manner of a child sucking a peppermint-stick.
"I am the man who knew too much," he said, after a pause. "And it is not recorded that the temple priest was ever a very devout believer. However, that is beside the point. I am interested in the causes behind these superstitions. How did the superstition start? What gave it impetus, so that the gullible could believe? For example! We are speaking of the vampire legend. Now, that is a belief which prevails in Slavonic lands, Agreed? It got its firm grip on Europe when it swept in a blast out of Hungary between 1730 and 1735. Well, how did Hungary get its proof that dead men could leave their coffins, and float in the air in the form of straw or fluff until they took human shape for an attack?"
"Was there proof?" asked Burnaby.
Grimaud lifted his shoulders in a broad gesture.
They exhumed bodies from the churchyards. They found some corpses in twisted positions, with blood on their faces and hands and shrouds. That was their proof. ...But why not? those were plague years. Think of all the poor devils who were buried alive though believed to be dead. Think how they struggle to get out of the coffin before the really died. You see, gentlemen? That's what I am interested in."
"I also" said a new voice, "am interested in it."
Mills says that he had not heard the man come in, although he thought he felt a current of air from the opened door. Possibly they were startled by the mere intrusion of a stranger, in a room where a stranger seldom intruded and never spoke. Or it may have been the man's voice, which croaking in it. Anyhow, the suddenness of it made them all switch around.
There was nothing remarkable about him Mills says. He stood back from the firelight, with the collar of his shabby black overcoat turned up and the brim of his shabby soft hat pulled down. And what little they could see of his face was shaded by the gloved hand with which he was stroking his chin. Beyond the fact that he was tall and shabby and of gaunt build, Mills could tell nothing. But in his voice or bearing, or maybe a trick of gesture, there was something vaguely familiar while it remained foreign.
He spoke again. And his speech had a stiff, pedantic quality, as though it were a burlesque of Grimaud.
"You must forgive me gentlemen," he said, and the triumph grew, "for intruding into you conversation. But I should like to ask the famous professor Grimaud a question."
Nobody thought of snubbing him, Mills says. They were all intent; there was a kind of wintry power about the man, which disturbed the snug firelit room. Even Grimaud, who sat dark and solid and ugly as an Epstein figure, with his cigar halfway to his mouth and his eyes glittering behind the thin glasses, was intent. He only barked:
"Well?"
"You do not believe, then," the other went on, turning his gloved hand round from his chin only far enough to point with one finger, "that a man can get up out of his coffin; that he can move any where invisibly; that four walls are nothing to him; and that he is as dangerous as anything out of hell?"
"I do not," Grimaud answered, harshly. "Do you?"
"Yes, I have done it. But more! I have a brother who can do much more than I can, and is very dangerous to you. I don't want your life; he does. But if he calls on you. ..."
The climax of this wild talk snapped like a piece of slate exploding in the fire. Young Mangan, an ex-foodballer, jumper to his feet. Little Pettis peered round nervously.
"Look here, Grimaud," said Pettis, " this fellow's stark mad. Shall I--" He made an uneasy gesture in the direction of the bell, but the stranger interposed.
"Look at professor Grimaud," he said, "before you decide."
Grimaud was regarding him with a heavy, graven contempt. "No, no, no! You hear me? Let him alone. Let him alone. Let him talk about his brother and his coffins--"
"Three coffins," interposed the stranger.
"Three coffins," agreed Grimaud, with bristling suavity, "if you like. As many as you like. in God's name! Now perhaps you'll tell us who you are?"
The stranger's left hand came out of his pocket and laid a grubby card on the table. Somehow the sight of that prosaic visiting-card seemed to restore sane values; to whirl the whole delusion up the chimney as a joke; and to make of this harsh-voiced visitor nothing but a scarecrow of an actor with a bee under his shabby hat. For Mills saw that the card read: Pierre Flay. Illusionist. In one corner was a printed 2B Cagliostro Street W.C. 1., and over it was scribbled Or c/o Academy Theatre. Grimaud laughed. Pettis swore and rang the bell for the waiter.
"So," remarked Grimaud, and ticked the card against his thumb. "I though we should come to something like that. You are a conjuror, then?"
"Does the card say so?"
"Well, well, if It's a lower professional grade, I beg your pardon," nodded Grimaud. A sort of asthmatic mirth whistled in his nostrils. "I don't suppose we might see one of your illusions?"
"With pleasure," said Fley, unexpectedly.
His movement was so quick that nobody anticipated it. It look like an attack, and was nothing of the kind--in a physical sense. He bent across the table toward Grimaud, his gloved hands twitching down the collar of his coat, and twitching it back up again before anybody else could get a glimpse of him. But Mills had an impression that he was grinning. Grimaud remained motionless and hard. Only his jaw seemed to jut and rise, so that the mouth was like a contemptuous arc in the clipped beard. And his color was a little darker, though he continued to tick the card quietly against his thumb.
"And now, before I go," said Fley, curtly, "I have a last question for the famous professor. Some one will call on you one evening soon. I also am in danger when I associate with my brother, but I am prepared to run that risk. Some one, I repeat, will call on you. Would you rather I did--or shall I send my brother?"
"Send you brother," snarled Grimaud, getting up suddenly, "and be damned!"
The door had closed behind Fley before anybody move or spoke. And the door also closes on the only clear view we have of the events leading up to the night of Saturday, February 9th. The rest lies in flashed and glimpses, to be interpreted in jig-saw fashion as Dr. Fell later fitted together the charred fragments between the sheets of glass. The first deadly walking of the hollow man took place on that last-named night, when the side streets of London were quiet with snow and the three coffins of the prophecy were filled at last.
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